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Carnival City upgrades audio to L-Acoustics

carnival-city-upgrades-audio-to-l-acoustics

Chris Pugh, Frans Malatjie, Viera Jafta, Bafana Dube, Alix van der Walt, Thami Mdluli, Richard Smith

Carnival City upgrades audio to L-Acoustics

Nineteen years ago, Sun International’s Carnival City Casino opened with great fanfare and with the objective to provide round the clock entertainment to the East of Johannesburg. Since then, they’ve never stopped! As time swiftly moved along, the Big Top Arena and Mardi Gras Theatre have staged countless international shows, comedy acts, bands and sporting events. In 2009, the main hangs of the original sound system were replaced by a left/right system of eight L-Acoustics Kudo and two SB28 subwoofers per side, running on the newly released LA8 amplified controllers. In 2018, time also dictated, though, that it was necessary to upgrade the remainder of the Big Top audio system and console for the Mardi Gras. Carnival City have further invested in L-Acoustics as well as a new DiGiCo console to ensure their patrons savour a quality experience.

“The Big Top Arena’s in-house audio system was becoming dated,” describes Alix van der Walt from INHOUSE Venue Technical Management (IVTM). IVTM manages the venues and existing equipment at Carnival City. They provide technical assistance to ensure shows run effortlessly. “My colleague, Bafana Dube, and I met with Carnival’s management team to suggest a way forward to bring the equipment in line with the latest technology developments. We had discussions with Richard Smith and Chris Pugh from DWR Distribution, who came in, did an L-Acoustics demo, and specified and designed a new system. It was a really good move for the venue. The new system is working spectacularly, and the quality difference is noticeable.”

Adding to their existing L-Acoustics Kudo system, an additional four ARCS Wifo, (two Focus and two Wide) for front fills and six ARCS II for side fills, have been added to the venue. 

“There used to be a slight tonal difference in the Big Top,” said Alix. “Now it is absolutely consistent throughout, which is what Carnival wanted. We now have one brand in the house, and it’s probably the best system we’ve worked on. We can’t fault it and we have received great reviews.”

Bafana Dube, Venue Technical Manager, has worked at Carnival City for the past ten years. “I’m happy and all the technicians are happy,” he said. “The Big Top is an international venue with a capacity of 3,500 seats or 5,000 standing. We are well equipped to service the most high-profile events.”

Heading into ‘silly season’, the new L-Acoustics system is a breeze for the IVTM team. “It’s a lot lighter to work with, physically it’s not that demanding and it’s a quick system to set-up,” said Alix. “It covers a much broader range of requirements, so there is no need to sub-hire extra gear, which consequently saves on their client’s budgets. It’s a win-win situation.”

Meanwhile, the Mardi Gras Theatre has received a new DiGIGo S21, also supplied by DWR. “I’ve worked with DiGiCo in the past and it’s a phenomenal desk,” said Alix. “It has increased the capacity of the theatre and is straight forward and user friendly. Jaco Beukes from DWR did the install and presented a quick overview to our technical team which has since operated the console with ease. The Mardi Gras Theatre has smaller productions that usually run from a week to ten days. We have many local bands, comedies and shows like that, while the bigger productions tend to go to the Big Top. The combination of L-Acoustics and DiGiCo has given us all the capacity we need and delivers superb audio, whatever type of show we’re hosting.”

Story and photos reproduced courtesy DWR

Nov 15, 2018

The Gearhouse Group of Companies